Today Glenn Greenwald gives us the chilling story of an “adult film” producer from California who has been tried and convicted of violating obscenity laws, because the films he produced (using consensual adult actors) included scenes of violence, humiliation, and degradation:

So, to recap, in the Land of the Free: if you’re an adult who produces a film using other consenting adults, for the entertainment of still other consenting adults, which merely depicts fictional acts of humiliation and degradation, the DOJ will prosecute you and send you to prison for years. The claim that no real pain was inflicted will be rejected; mere humiliation is enough to make you a criminal. But if government officials actually subject helpless detainees in their custody to extreme mental abuse, degradation, humiliation and even mock executions long considered “torture” in the entire civilized world, the DOJ will argue that they have acted with perfect legality and, just to be sure, Congress will hand them retroactive immunity for their conduct. That’s how we prioritize criminality and arrange our value system.

Do we really have to suffer through this administration for another fifteen weeks? I honestly wonder if anything resembling our nation will emerge on the other side of the Bush years.

(h/t: Oh Word)

Ahhh, how I love the politcal mashup….

Americathon!

I don’t have to tell you things are bad. Everybody knows things are bad. It’s a depression. Everybody’s out of work or scared of losing their job, the dollar buys a nickel’s worth, banks are going bust, shopkeepers keep a gun under the counter, punks are running wild in the streets, and there’s nobody anywhere who seems to know what to do, and there’s no end to it. We know the air’s unfit to breathe and our food is unfit to eat, and we sit and watch our tee-vees while some local newscaster tells us today we had fifteen homicides and sixty-three violent crimes, as if that’s the way it’s supposed to be. We all know things are bad. Worse than bad. They’re crazy. It’s like everything’s going crazy. So we don’t go out any more. We sit in the house, and slowly the world we live in gets smaller, and all we ask is please, at least leave us alone in our own living rooms. Let me have my toaster and my tee-vee and my hair-dryer and my steel- belted radials, and I won’t say anything, just leave us alone. Well, I’m not going to leave you alone. I want you to get mad!

And,

And when the twelfth largest company in the world controls the most awesome goddamned propaganda force in the whole godless world, who knows what shit will be peddled for truth on this tube? So, listen to me! Television is not the truth! Tele- vision is a goddamned amusement park, that’s what television is! Television is a circus, a carnival, a travelling troupe of acrobats and story-tellers, singers and dancers, jugglers, side-show freaks, lion- tamers and football players. We’re in the boredom-killing business! If you want truth, go to God, go to your guru, go to yourself because that’s the only place you’ll ever find any real truth! But, man, you’re never going to get any truth from us. We’ll tell you anything you want to hear. We lie like hell! We’ll tell you Kojack always gets the killer, and nobody ever gets cancer in Archie Bunker’s house. And no matter how much trouble the hero is in, don’t worry: just look at your watch — at the end of the hour, he’s going to win. We’ll tell you any shit you want to hear!

We deal in illusion, man! None of it’s true! But you people sit there — all of you — day after day, night after night, all ages, colors, creeds — we’re all you know. You’re beginning to believe this illusion we’re spinning here. You’re be- ginning to think the tube is reality and your own lives are unreal. You do whatever the tube tells you. You dress like the tube, you eat like the tube, you raise your children like the tube, you think like the tube. This is mass madness, you maniacs! In God’s name, you people are the real thing! We’re the illu- sions! So turn off this goddam set! Turn it off right now! Turn it off and leave it off. Turn it off right now, right in the middle of this very sentence I’m speaking now —

From the film Network, written by Paddy Chayefsky, 1975.

Check out John Whitney’s demo reel of work created with his analog computer/film camera magic machine he built from a WWII anti-aircraft gun sight. Also Whitney and the techniques he developed with this machine were what inspired Douglas Trumbull (special fx wizard) to use the slit scan technique on 2001: A Space Odyssey.

This collection has to be one of the more randomly cool things on the Interwebs.

Check out this beautifully-produced polemic rant against corporatism, militarism, and the neo-conservative movement in the United States (in particular, the Project for a New American Century). Produced by Knife Party.